Jamini Roy, son of a landowner of a small village in India, is one of the best painters India has produced.He was one of the most successful pupils of Abandrinath Tagore.
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Mother and child
He was sent to study at the Government College of Art, Kolkata. With time, he realized that he needed to draw inspirations from his own traditions.
His new style was a reaction against the Bengal School and Western tradition. His underlying quest was threefold: to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Jamini Roy's paintings were put on exhibition for the first time in the British India Street of Calcutta (Kolkata) in 1938. During the 1940s, his popularity touched new highs, with the Bengali middle class and the European community becoming his main clientele. In 1946, his work was exhibited in London and in 1953, in the New York City. He was awarded the Padma Bhusan in 1954. His work has been exhibited extensively in international exhibitions and can be found in many private and public collections such as the Victoria and Albert Museum, London. He spent most of his life living and working in Calcutta. Initially he experimented with Kalighat paintings but found that it has ceased to be strictly a "patua" and went to learn from village patuas. Consequently his techniques as well as subject matter was influenced by traditional art of Bengal. He preferred himself to be called a patua. Jamini Roy died in 1972. He was survived by four sons and a daughter. Currently his successors (daughters-in-law and grand children and their children) stay at the home he had built in Ballygunge Place, Kolkata. His works can be found in various galleries across the globe as well as in his home.It is evident that his followers and successors copied many of his works with a minor variations intentional or unintentional. So, the basic problem lies with the identification of the originality of his works.
In 1934, he received a Viceroy's gold medal in an all India exhibition for one of his work. In 1955 he was awarded the Padma Bhushan by the Government of India,this was the third highest award a civilian can be given. Also in 1955, he was made the first Fellow of the Lalit Kala Akademi, the highest honour in the fine arts conferred by the Lalit Kala Akademi, India's National Academy of Art, Government of India.
In 1976, the Archaeological Survey of India, Ministry of Culture, Govt. of India declared his works among the "Nine Masters" whose work, to be henceforth considered "to be art treasures, having regard to their artistic and aesthetic value"
His top works include:
bride and the two companion
Gopini
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Mother and child
Bengali woman
His work is remarkable and his contribution reproducing Indian art in modern art technique is really appreciable
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